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JURY IN 5POINTZ LAWSUIT AGREES WITH ARTISTS!

(AfB was way ahead of the game on the 5Pointz lawsuit.  Just saying.)

So the jury’s back with a recommendation, and the jury has decided that when Gerald Wolkoff whitewashed the graffiti mecca at 5Pointz, he broke the law; under VARA, he should have given the artists sufficient notice so that they could preserve or remove their artwork.  The judge gets the final say on the verdict and on any penalty, but the jury’s decision is still a big deal, as this marks the first time that VARA has been decided by a jury in court.

The artists argued, under VARA, that their work was of reasonable public stature, and so they needed to be given 90 days notice.  If the news reports are correct, the lawyers for the developer argued that VARA was irrelevant, because the case concerns property, and presumably they argued that street art didn’t qualify for VARA.

I’m not a lawyer, nor do I play one on the Internet, but I wonder if this was the wrong way to argue the case.   Because it seems that if the jury believed that the works at 5Pointz were artworks, then it looks like VARA has to apply; the artwork is well-recognized.  If they’re not artwork, then it’s just a question of property.

I suspect, however, to the average person, 5Pointz is art.    Maybe it’s not art they like, or art they understand, or art they respect, but art all the same. Better, perhaps, to concede that 5Pointz is artwork, but ephemeral artwork of a kind that has no claim on civic protection.  Street art must change with the city.

Image Credit: Aaron Harewood (5pointz graffiti) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)%5D, via Wikimedia Commons


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MARY BETH WILLARD REVISITS “FEARLESS GIRL” STATUE

When I last wrote about Fearless Girl, I observed that the meaning of the little Bull-challenging statue will lie in its interaction with the public, who for the moment has claimed it as an icon of feminism, capturing the vivacity of little girls at that tender age where they still dare to dream.

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Fearless Girl reportedly now has a permit through 2018, and this has angered none other than the creator of Charging Bull, Arturo di Modica, who has asked for Fearless Girl to be relocated, because it’s making his Bull into a villain. Continue reading


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MARY BETH WILLARD ON “FEARLESS GIRL” STATUE

On a cold December night in 1989, artist Arturo di Modica installed Charging Bull, a three-and-a-half ton bronze bull, in New York’s Financial District. Di Modica had no official permission to install the statue, which he said symbolized the “strength and power of the American people” following the disastrous 1987 stock market crash.

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These days Charging Bull is a well-beloved tourist attraction, so you probably don’t remember, if you ever knew, that the immediate reaction to this guerilla Christmas gift was mixed. Crowds loved it, but the police were called by the securities exchanges, who then hired a contractor to remove the bull. Five days later, the city announced that it would have a temporary home two-and-a-half blocks south on Bowling Green, where it stands today. Continue reading


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AFB Artworld Roundtable: 5Pointz Lawsuit

This is the first in a new series at Aesthetics for Birds called AFB Artworld Roundtable, where Philosophers of Art provide their take on a particular recent artworld event or news story.

Artists Sue 5Pointz Owner & Developers

Nine artists have filed a federal lawsuit against the owner and related developers of the famous graffiti shrine 5Pointz in Queens. The suit claims the Defendents:

“destroyed mutilated, modified and defaced each and every one of the works of art installed by Plaintiffs on 5Pointz… [without] notice in writing regarding their intent to destroy the artwork nor did they afford Plaintiffs…a period of 90 days after receiving such notice either to remove the work or pay for its removal.”

The full story can be found here.

The Roundtable

K.E. Gover, Mary Beth Willard, Darren Hick, Erin Thompson

Continue reading