AESTHETICS FOR BIRDS

Aesthetics and Philosophy of Art for Everyone


Leave a comment

CHEF INTERVIEW: JUAN ESCALONA MELÉNDEZ, ON HISTORY AND SCIENCE IN CONTEMPORARY MEXICAN CUISINE

juan-em1.jpg

Juan Escalona Meléndez, photography by Ana Lorenzana [Instagram: @analorenzana]

Chef Juan Escalona Meléndez interviewed by philosopher Aaron Meskin for AFB.
This interview took place during
January and February, 2020.

Juan Escalona Meléndez is a Mexican-born chef currently working in Mexico City. He studied Genomic Sciences as an undergraduate at the National Autonomous University of Mexico (UNAM) and did an MA in History and Philosophy of Science at the University of Leeds. He has collaborated with various philosophers on food projects and presented at the recent American Society for Aesthetics-sponsored Conference on Food, Art and Philosophy at UNAM. (He also created the conference meal.)  He has worked at Noma (Copenhagen), Pujol (Mexico City) and Máximo Bistrot (Mexico City).

Aaron Meskin is head of the Department of Philosophy at the University of Georgia. He works on aesthetics, philosophical psychology and, recently, the philosophy of food. He is co-editing a special issue of the online philosophy journal Crítica devoted to food, art and philosophy. Before Georgia, he worked at the University of Leeds for 14 years, and that is where his conversations with Juan about food and art began.  Continue reading


1 Comment

HIP-HOP, GENDER, AND LANGUAGE WITH UNDERGROUND RAPPERS BL SHIRELLE AND BATES

bls-skitolsky-bates

L to R: Bates, Lissa Skitolsky, and BL Shirelle

I. What Is There To Discuss?

A Prompt for Discussion by Bill Adler

Bill Adler is a music journalist, hip-hop archivist, and legendary Def Jam publicist.

As wonderful as it is, as impactful as it is, hip-hop music has never exactly embodied a model of civil discourse. On the contrary, it has often been—and remains—rough, rude, and heedless. Indeed, those very qualities are at least part of what makes the culture so appealing to so many folks.

Happily, hip-hop has also generated a body of exemplary critical commentary from the very beginning. For over thirty years now, critics and journalists who came of age as hip-hoppers have wrestled with the music’s sexism, homophobia, anti-Semitism, and materialism… and have done so with love, from inside the culture.

Naturally, the music’s sexism has been particularly vexing to women, and doubly vexing to women of color. In a review for the Village Voice in 1990 of Amerikka’s Most Wanted, the first solo album by Ice Cube, the critic Joan Morgan quotes a girlfriend of hers as follows: “Joan, you know this motherfucka must be bad if he can scream ‘bitch’ at me ninety-nine times and make me want to sing it.”

To Chuck D, though, it wasn’t a problem—at least not then. Women had R&B, he argued. White men had rock. Rap was by and for Black men. End of discussion.

Let’s discuss.

Continue reading


Leave a comment

WHAT’S SO INTERESTING ABOUT THE PAST? AN INTERVIEW ABOUT RUINS, MONUMENTS, AND MEMORIALS

ruins1.jpg

Alex King interviews philosophers
Jeanette Bicknell, Jennifer Judkins, and Carolyn Korsmeyer for AFB.

Jeanette Bicknell, Jennifer Judkins, and Carolyn Korsmeyer recently co-edited a collection of new essays, Philosophical Perspectives on Ruins, Monuments, and Memorials. From the book description:

This collection of newly published essays examines our relationship to physical objects that invoke, commemorate, and honor the past. The recent destruction of cultural heritage in war and controversies over Civil War monuments in the US have foregrounded the importance of artifacts that embody history. … The authors consider issues of preservation and reconstruction, the nature of ruins, the aesthetic and ethical values of memorials, and the relationship of cultural memory to material artifacts that remain from the past.

See the full list of contributing authors here.

Below, Alex King interviews them about themes from the volume.

Continue reading


1 Comment

ARTIST-PHILOSOPHER INTERVIEW: MATT LINDAUER

lindauer.jpg

Musician and philosopher Matt Lindauer interviewed by Alex King for AFB

Matt Lindauer is Assistant Professor of Philosophy at Brooklyn College, City University of New York. He specializes in moral and political philosophy, moral psychology, and experimental philosophy, and has published work in Philosophical Studies, Journal of Moral Philosophy, Journal of Ethics and Social Philosophy, and Oxford Studies in Experimental Philosophy, among other venues. He is also a songwriter and multi-instrumentalist. His band Myrna recently released their debut EP on Kitty Wizard Records and a full-length release is coming soon. His solo project Utena also produced a recent album that was recorded almost entirely on his iPhone between Australia and Brooklyn. He also played in the banjo-key-drum group Sugarbat and in Daphne Lee Martin’s band as guitarist and banjo player, and has recorded a number of other projects. Some of his music was recently featured in an ad for Joe’s Jeans. Continue reading


3 Comments

STERLING HOLYWHITEMOUNTAIN ON BLOOD QUANTUM, “NATIVE ART”, AND CULTURAL APPROPRIATION

entrenched

“Entrenched” by Evan Thompson

Sterling HolyWhiteMountain interviewed by Matt Strohl for AFB

Sterling HolyWhiteMountain grew up on the Blackfeet Reservation in northwest Montana. He holds a BA in English creative writing from the University of Montana and an MFA in fiction from the University of Iowa. He was also a James C. McCreight Fiction Fellow at the University of Wisconsin. His work has appeared in volumes 1 and 2 of Off the Path: An Anthology of 21st Century American Indian and Indigenous Writers, The Montana Quarterly, ESPN.com and The Atlantic. Prior to being a Stegner Fellow he directed the writing center at Blackfeet Community College. He is currently at work on a collection of stories. Continue reading


Leave a comment

PHILOSOPHY AND POLITICS IN “SORRY TO BOTHER YOU”

sorrytobotheryou_poster.png

The following post appears as part of a partnership with the APA Blog. The original appears here.

Steven Manicastri is a political theorist and labor organizer.  Having recently viewed Sorry to Bother You and seeing its clear relevance to his own research he posed the following questions to Lewis Gordon because of his theoretical work on race, class, and politics in film. Continue reading


Leave a comment

MORE THAN SKIN DEEP WITH EVA DADLEZ

Eva1-thumb.jpg

Eva Dadlez interviewed by Roy Cook for AFB

M. Dadlez is a professor of Philosophy at the University of Central Oklahoma. She received her Ph.D. from Syracuse University. She writes on issues at the intersection (often at the collision) of aesthetics, ethics, and epistemology. She has written two books on the preceding: What’s Hecuba to Him? Fictional Events and Actual Emotions (Penn State Press 1997) and Mirrors to One Another: Emotion and Value in Jane Austen and David Hume (Wiley-Blackwell 2009), as well as numerous journal articles and book chapters including “Art, Ink, and Expression: Philosophical Questions About Tattoos”, Philosophy Compass 10(11): 739 – 753. Her edited collection for Oxford University Press, Jane Austen’s Emma: Philosophical Perspectives is presently in production. Dadlez is also a feminist ethics dilettante and an occasional novelist. She has indulged in the composition of a mean-spirited academic satire (The Sleep of Reason) that lampoons higher education in America. She also draws a lot and has many tattoos of owls and foxes. Continue reading


Leave a comment

FREEDOM, OPPRESSION, AND BLACK CONSCIOUSNESS IN “GET OUT”

The following post appears as part of a partnership with the APA Blog. The original appears here.

get_out.jpg

Having recently viewed Jordan Peele’s award-winning Get Out (2017), political theorist Derefe Kimarley Chevannes was prompted to discuss the film with philosopher Lewis Gordon, whose writings include discussions of race in horror films and literature. Continue reading