Aesthetics for Birds

Aesthetics and Philosophy of Art for Everyone

June 23, 2020
by Aesthetics for Birds
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The Feminist Revolution Continues: Contributions Of Women to the Visual Arts (CAA) and Aesthetics (ASA)

As we celebrate the endurance and ground-breaking achievements of the past thirty years, I invite you to imagine where post-revolutionary feminist aesthetics will end up in 2030, 2040, and beyond. Continue reading

April 8, 2020
by Aesthetics for Birds
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HOW TO PARTAKE IN THE FUCKERY: A ROUNDTABLE DISCUSSION ON HIP-HOP, GENDER, AND LANGUAGE

In January, we hosted an interview and preliminary discussion of some pressing issues in rap and hip-hop. We wanted to investigate the fact that, in Bill Adler’s words, hip-hop has never been “a model of civil discourse”. We did that by talking to two queer Black women rappers, BL Shirelle and Bates, to get their takes on the matter. Now we follow that up with a roundtable of scholars, each reflecting in their own way on what BL Shirelle and Bates had to say. [Warning: This discussion contains explicit language, including a variation of the n-word.] Our contributors are: Bria Gambrell, MPP and MA candidate in Gender and Cultural Studies at Simmons University T.M.G., PhD student in Philosophy at Dalhousie University [website] Charlotte Henay, lecturer in Women’s and Gender Studies at Brock University Olúfẹ́mi O. Táíwò, assistant professor in Philosophy at Georgetown University [website] Michael Thomas, assistant professor in Philosophy … Continue reading

March 2, 2020
by Aesthetics for Birds
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Sor Juana’s Rough Heroines: Cognitive Immoralism in Primero Sueño

What follows is a guest post by Adriana Clavel-Vázquez and Sergio A. Gallegos. Against all odds, Novohispanic nun Juana Inés de la Cruz gained widespread recognition as a writer in her lifetime. Today, she is also recognized as a distinguished Early Modern philosopher who advanced one of the earliest defenses of the right of women to be educated, and who emphasized how human knowledge is constituted by doubts and struggles. She was particularly preoccupied with the lack of recognition of women as intellectual peers, and its consequences for how women are treated.

January 6, 2020
by Aesthetics for Birds
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Throwback Movie Review: Variety (1983) by Bette Gordon

Today, we’re starting a new series. During the first week of each month, Francey Russell (Barnard/Columbia) will offer a philosophical reflection on film: a single film, a director, a technique, a genre, an author, etc. Plots will be discussed, hence spoilers. By way of introduction, Francey works primarily on moral psychology and is writing a book on the topic of self-opacity. She is also working a project on genre and representations of human agency, focusing especially on the erotic thriller.

October 25, 2017
by Alex King
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“To Open My Legs Is to Open My Mouth”: Sexuality and Art

In September this year, French-Luxembourgian performance artist Deborah De Robertis exposed her vagina in front of the Mona Lisa at the Louvre. A few days ago, she was acquitted of charges of sexual exhibitionism by Paris’s High Court. Why? Because (a) her intent was not sexual in nature, and (b) the “material element of the crime” was missing (= you couldn’t *see* her genitalia because pubic hair obscured it). (Yes, you may giggle now.)

April 18, 2017
by utahphilosoraptor
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Mary Beth Willard Revisits “fearless Girl” Statue

What follows is a guest post by Mary Beth Willard (Weber State University) When I last wrote about Fearless Girl, I observed that the meaning of the little Bull-challenging statue will lie in its interaction with the public, who for the moment has claimed it as an icon of feminism, capturing the vivacity of little girls at that tender age where they still dare to dream. Fearless Girl reportedly now has a permit through 2018, and this has angered none other than the creator of Charging Bull, Arturo di Modica, who has asked for Fearless Girl to be relocated, because it’s making his Bull into a villain.

June 10, 2015
by Aesthetics for Birds
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Race & Aesthetics 2015: a Retrospective

What follows is a guest post by Daniel Abrahams and Shen-yi Liao. This blog post is primarily written by Daniel Abrahams, a PhD student specializing in aesthetics at University of Leeds, and supplemented by Shen-yi Liao (in brackets), a Marie Curie fellow at University of Leeds. Liao was a co-organizer of the conference and Abrahams was a conference assistant. However, we would like to stress that these are just our own perspectives rather than any “official” account. Photos are by Shen-yi Liao and Sara Protasi. Race & Aesthetics: A British Society of Aesthetics Connections Conference ran the 19th and 20th of May, at the Leeds Art Gallery. Fourteen speakers and several dozen more participants gathered to share thoughts on any of the points of intersection between the philosophies of race and aesthetics. Topics ranged from sexual attraction to humour to Brett Bailey’s Exhibit B. In what follows, I’ll try to present short but … Continue reading