Soon after Lil Nas X’s “Old Town Road” debuted in December 2018, it quickly rose to the top of Billboard’s Hot Country Songs. But in March of 2019, Billboard removed the song from the country chart, claiming that it had been wrongly classified as country. The track went on to top the Billboard Hot 100 Chart, staying there for a record 19 weeks. But a debate remained about whether Billboard’s claim was right. Is “Old Town Road” a country song or not? Continue reading
At her blog, L. M. Bernhardt has written a response to John Dyck’s recent post defending country music. In her post, “…but it’s all right.” she articulates something that worries her about Dyck’s presentation of country music as unsophisticated.
There is an important difference between the music born from the life of farmers and miners and the music that deploys that life as a sign of authenticity for consumers who don’t necessarily live there anymore.
She goes on to explain:
it’s a major feature of contemporary bro-country, which tends to be an assembly-line-produced mess of redneck identity signifiers masquerading as “authentic” country music. A pop-country performer like Brad Paisley (who is good at his job — don’t get me wrong!) bears little to no resemblance to someone like Ralph Stanley or Hazel Dickens. He and his usual co-writers produce songs about country as an identity. Hazel Dickens wrote and sang from it, and I think that makes a big difference — or should make a big difference — in how our aesthetic judgements handle these things. Country music like hers isn’t bad music or unsophisticated music that uses its messiness to signify authenticity — it’s representative of a distinct body of styles with its own natural history and quality markers, which is exactly what constitutes its authenticity.
Readers should check out the whole thing. Bernhardt writes from the perspective of both a performer and a philosopher, and her thoughts on the matter are really interesting.
We’ve given John Dyck the opportunity to respond. His response follows. Continue reading
I used to hate country music. I would hear it at my grandparents’ house. I remember hearing my grandma sing along to those drawling voices and crunchy fiddles. My nine-year-old self cringed inside. The music was so gauche and uncultured. My grandparents grew up poor and uneducated, and I could hear it in their music. Continue reading