Aesthetics for Birds

Aesthetics and Philosophy of Art for Everyone

March 19, 2020
by Aesthetics for Birds
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Getting Past Form: on the Value of Literary Ideas

What follows is a guest post by Patrick Fessenbecker. In a recent column in The New York Times, Ross Douthat contends that English professors aren’t having the right kind of arguments. Reflecting on the analysis of the decline of the humanities in a series of essays in the Chronicle of Higher Education over the last year, Douthat makes a familiar diagnosis: the problem is that we literature professors no longer believe in the real value of the objects we study. Engaging Simon During’s account of the decline of the humanities as a “second secularization” in particular, Douthat argues that secular attempts to defend the humanities will fail just as surely as secular attempts to defend religious ethics and norms did: it doesn’t work unless you really believe in the thing. Correspondingly, the debates literary scholars are having about how to expand the range of texts and subjects we teach are … Continue reading

March 2, 2020
by Aesthetics for Birds
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Sor Juana’s Rough Heroines: Cognitive Immoralism in Primero Sueño

What follows is a guest post by Adriana Clavel-Vázquez and Sergio A. Gallegos. Against all odds, Novohispanic nun Juana Inés de la Cruz gained widespread recognition as a writer in her lifetime. Today, she is also recognized as a distinguished Early Modern philosopher who advanced one of the earliest defenses of the right of women to be educated, and who emphasized how human knowledge is constituted by doubts and struggles. She was particularly preoccupied with the lack of recognition of women as intellectual peers, and its consequences for how women are treated.

December 9, 2019
by Aesthetics for Birds
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8 Experts Reveal Their Top 5 in the Decade’s Writing

This year marks the end of the second decade of the 2000s. In honor of this, we thought we’d take a look back at our decade with an end-of-year series. The internet loves lists, especially year-end ones, and we’ll feed that love a little bit this December. We’ll be hosting seven lists of expert Decade-Best picks. We’ve done movies and games, and you can look forward to television, music, traditional visual arts, and one surprise list at the end. Our experts will include philosophers and other academics whose work concerns these topics, and people working in the relevant media. Up today: writing! Writing is a curious category, one that can be extremely broad, as writing touches so much of the arts. Movies have scripts; songs have lyrics; cookbooks have written instructions. So in our lists below, you’ll find novels as well as a selection of the best of what writing … Continue reading

October 7, 2019
by Alex King
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Culture Wars and Native American Literature in Los Angeles Review of Books

Adrian L. Jawort, a Northern Cheyenne Two Spirit journalist and writer, has written a piece for the Los Angeles Review of Books in which they reflect on the critical reception of two young adult novels by Native American author Rebecca Roanhorse. The controversy: Roanhorse is a member of the Ohkay Owingeh Pueblo tribe, but her novels feature a Diné (Navajo) protagonist, and center on events in Dinétah, the traditional land of the Diné people. The problem came in the form of a 2018 letter, signed by 14 Navajo writers, that accused Roanhorse of appropriating another tribe: “Trail of Lightning is an appropriation of Diné cultural beliefs.”

September 20, 2019
by Aesthetics for Birds
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You Think Make-believe is for Kids? Sherlock Holmes Will Teach You a Thing or Two

What follows is a guest post by Nils-Hennes Stear. How do fictions work? How do made-up characters and their made-up feelings make us cry or rejoice in sympathy? With what are we even sympathizing? Philosopher Kendall Walton has an answer. His theory of fiction, spelled out in his monograph Mimesis as Make-Believe, is among the most influential and celebrated contributions to the history of aesthetics, if not philosophy. So, when I promised to create an animated explainer film as part of my Marie Skłodowska-Curie fellowship at the University of Southampton, it seemed a promising subject to tackle.