Latest development in the Fearless Girl case, brought to you only three weeks late courtesy of yrs truly and the end of the semester: the city wants the girl moved, citing traffic and safety concerns. I can’t imagine that any one was surprised by this decision, given the statue’s story as an advertisement playing opposite an iconic piece of guerilla art. It was unlikely that it would stay forever. And at 250 pounds, it hardly presents the obstacle to removal that Charging Bull did; it’s a much easier call.
What follows is a guest post by Mary Beth Willard (Weber State University) When I last wrote about Fearless Girl, I observed that the meaning of the little Bull-challenging statue will lie in its interaction with the public, who for the moment has claimed it as an icon of feminism, capturing the vivacity of little girls at that tender age where they still dare to dream. Fearless Girl reportedly now has a permit through 2018, and this has angered none other than the creator of Charging Bull, Arturo di Modica, who has asked for Fearless Girl to be relocated, because it’s making his Bull into a villain.