AESTHETICS FOR BIRDS

Aesthetics and Philosophy of Art for Everyone


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UPDATE: HOW IS THE AMERICAN SOCIETY FOR AESTHETICS DOING ON DIVERSITY AND INCLUSION?

Last November, we reported an accusation of sexual harassment at the American Society for Aesthetics (ASA) Annual Meeting. ASA member Anne Eaton wrote:

“One alleged case of sexual harassment by a senior man toward a junior woman. I say “alleged” because the case has not been (nor will it be) officially adjudicated, although it has been reported to ASA governance. I know the details of this case and find it 100% credible. In fact, I have myself in the past had trouble with the senior male philosopher in question.”

We also reported that, in response,

“…the ASA leadership took immediate and decisive action in response to the report of sexual harassment. In addition to sending a forceful message to the harasser, ASA leadership immediately set up a committee to develop an official policy on sexual harassment.”

The ASA has recently released new policies regarding discrimination (including best practices and how to process and handle accusations). However, it remains to be seen how and to what extent these policies will be implemented.

Quite worryingly, AFB has received reports from credible sources that the accused harasser is on the program for the upcoming ASA Annual Meeting in Toronto. We feel that it is the responsibility of this blog to make this information known. It is the responsibility of members and concerned parties to respond in whatever ways they deem appropriate.


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WHERE TO STUDY AESTHETICS AND PHILOSOPHY OF ART

mortlock_library.jpg

This post provides all of the information that is currently available about where to formally study aesthetics and philosophy of art.

It also includes a request for help from those working on aesthetics and philosophy of art in universities in the English-speaking world. Kathleen Stock (Sussex) has created a document that aims to comprehensively catalog all faculty working in these areas. But we need your help to fill it in! Continue reading


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THE ASA AT 75: DIVERSITY AND THE TIPPING POINT

The following is a guest post by Charles Peterson (Oberlin College).
This is one of three companion pieces that reflect on the ASA’s 75th anniversary. Click here for the first, by A.W. Eaton, and the second, by Paul C. Taylor. See also the ASA Officers’ response letter here.

goldsworthy

The age of 75 can signify multiple indicators. At 75 years old, an ant would be ancient. At 75 years old a mountain would be considered infantile in its span and at 75 years old a human being, has lived to a ripe and healthy age. For an academic organization, 75 years is a perfect time to celebrate its longevity and take stock of its future. The American Society for Aesthetics is at this point in regards to the inclusion of diverse scholars and discourses in its proceedings.  The ASA stands at the threshold where its present efforts to open up, encourage and support the presence of women and members from previously underrepresented backgrounds can either move forward, grow and expand or retreat into exclusivity and marginality. Continue reading


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THE ASA AT 75: ‘SPLAINING AND SAFARIS

What follows is a guest post by Paul C. Taylor (Penn State).
[Updated:] This is the first of three companion pieces that reflect on the ASA’s 75th anniversary. Click here for the first, by A.W. Eaton, and the third, by Charles Peterson. See also the ASA Officers’ response letter here.

By the time my father turned 75, he was freely exercising the wide-ranging license to offend that family elders often enjoy. He could say or do pretty much anything, and we would chalk it up to him being set in his ways. We would weigh the costs and benefits of contesting his frequently insensitive and sometimes just rude behavior, or of reminding him of all the considerations that militate against talking about women or Jews or whatever like that anymore. And we would usually decide that discretion was the better part of valour, and we would let him alone.

So on he lumbered, cluelessly, sometimes willfully, out of step with evolving social mores. The good news is that he was mostly harmless, having tucked himself away into a quiet retirement where he neither had nor wanted influence or authority over anyone other than himself.

The American Society for Aesthetics (ASA), 75 years old this year, reminds me of my father. It has an at best uneven relationship to shifting social mores, especially as these bear on behaviours that should be as distant and grating to us as the world of Mad Men. And much as my father assumed he could say whatever he wanted and continue to enjoy the respect and love of his children, some members of the ASA seem to think the organization can both live in the 1950s and win the loyalty of people today. Continue reading


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THE ASA AT 75: HOW ARE WE DOING WITH DIVERSITY AND INCLUSION?

The following is a guest post by A.W. Eaton (University of Illinois-Chicago).
[Updated:] This is the first of three companion pieces that reflect on the ASA’s 75th anniversary. Click here for the second, by Paul C. Taylor, and the third, by Charles Peterson. See also the ASA Officers’ response letter here.

calverley

The 75th anniversary of the American Society of Aesthetics is an opportunity to reflect upon both our progress regarding inclusion and diversity and also upon the remaining work to be done. I discuss them here in turn. Continue reading


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KENNETH WALDEN WINS THE INAUGURAL DANTO/ASA PRIZE!

Military Symbols 1, Marsden Hartley, ca. 1913–14, Charcoal on paper, 24 1/4 x 18 1/4 in., The MET

The American Philosophical Association and the American Society for Aesthetics are pleased to announce that Professor Kenneth Walden (Dartmouth College) has been selected as the winner of the inaugural Arthur Danto/American Society for Aesthetics Prize for his paper, “Art and Moral Revolution.”

The Danto/ASA Prize, in the amount of $1,000, is awarded to a member of the APA and the ASA for the best paper in the field of aesthetics, broadly understood. In addition, a symposium in honor of the recipient of the prize is held at the APA Eastern Division meeting, normally the next such meeting following the selection of the prize winner. This prize is in honor of the late Arthur Danto, a past president of the APA Eastern Division.

Walden is assistant professor of philosophy at Dartmouth College. His areas of expertise are ethics, epistemology, Kant, and aesthetics. He received his Ph.D. from MIT. Walden has published in the Journal of Aesthetics and Art Criticism, Philosophy and Phenomenological Research, Ethics, Philosophical Studies, and Oxford Studies in Metaethics, with two articles forthcoming at other journals.

The chair of the selection committee said, “Works of art can effect incremental tweaks to our moral concepts or patterns of moral response. Kenneth Walden’s “Art and Moral Revolution” contends that art sometimes goes further, transforming frameworks of moral thought. In the spirit of Arthur Danto, in whose memory this prize is given, Walden advances an ambitious and far-reaching argument through insightful redescriptions of Wagnerian opera and the provocative street performances of the Cynics.”

Original post: http://blog.apaonline.org/2017/06/21/kenneth-walden-wins-the-inaugural-dantoasa-prize/


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ASA 75TH ANNUAL MEETING PRELIMINARY PROGRAM NOW AVAILABLE

The 75th Annual Meeting of the American Society for Aesthetics will be held in New Orleans November 15-18, 2017.

Check out the preliminary program PDF: ASA Preliminary Meeting Program

George Overbury “Pop” Hart, Springtime, New Orleans, 1925, Lithograph;
The MET

REGISTRATION:

  • Early-bird registration is available on-line through October 15.
  • To register on-line (with a credit card), click the red REGISTER button on this page.
  • To receive the discounted ASA member rates, please log into the ASA site FIRST.
  • To mail in registration (with a check), use this form.
  • Early-bird deadline for mail-in registration: postmark by October 10

Everyone on the  program (as a presenter, panelist, commentator, or chair) MUST register for the meeting and MUST be a member of the ASA.

The Wollheim Lecturer at this meeting will be Professor Derek Matravers, Open University, UK.

The ASA will provide:

Highlights:


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CONGRATS TO THE WINNERS OF THE 2017 APA CURRICULUM DIVERSIFICATION GRANTS

ca. 1885, Made in New York, United States, Silk, satin, velvet, and cotton, credit: The Met

The American Society for Aesthetics is pleased to announce the winners of the 2017 Curriculum Diversification Grant competition:

Chris Jenkins, Associate Dean for Academic Support, Oberlin Conservatory
Project:  The Aesthetics of African-American Classical Music
Erich Hatala Matthes, Assistant Professor, Wellesley College
Project: Art and Cultural Heritage
Rossen Ventzislavov, Associate Professor of Philosophy, Woodbury University
Project: The Aesthetics of Performance Art
CONGRATULATIONS TO ALL OF THE WINNERS!!!

Each will receive a grant of $5,000 to prepare the proposed diversity curriculum. These will be posted on the ASA web site in September 2017. This is a project of the ASA Diversity Committee, chaired by Thi Nguyen.

To see the final curricula of the 2015 and 2016 winners, click here.


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AMERICAN SOCIETY FOR AESTHETICS EASTERN MEETING

The American Society for Aesthetics Eastern Division will meet April 28-29, 2017, at the Independence Park Hotel in Philadelphia.

The conference program spans two full days, Friday and Saturday, April 28-29.

Designs for Four Upholstered Chairs, Charles Hindley and Sons, 1841–84, Met Museum

PRELIMINARY PROGRAM (April 3, 2017)

On-line pre-registration is strongly encouraged to assist us in planning. Look for the red REGISTER button on the upper-right corner of this page. To get the ASA member rates, you must FIRST log into the ASA web page.

On-site registration will begin on Thursday, April 27th, in the evening. The conference rate for Independence Park is available for Thursday, Friday, and Saturday nights. As soon as we receive your registration, we will send you the link to use at the hotel for conference rates.

Pre-registration (by April 24th) for both days:

  • $70 (ASA members)
  • $90 (non-members)
  • $30 (student ASA members)
  • $40 (student non-ASA members)

On-site or same-week registration (April 24th or later) for both days:

  • $80 (ASA members)
  • $100 (non-ASA members)
  • $35 (student ASA members)
  • $45 (student non-ASA members)

One-day registration (pre-registration or on-site):

  • $60 (ASA members and non-members)
  • $30 (student ASA members and non-members)

Mail-in pre-registration (must be received by April 21)

Pre-registrations are greatly appreciated to assist us in planning. Please note that all conference presenters and panel proposers must be members of the ASA. You can find information about joining the ASA at the following address: http://aesthetics-online.org/

If you have any questions, please feel free to contact us: Brandon Cooke (University of Minnesota, Mankato) cooke@mnsu.edu or Alessandro Giovannelli (Lafayette College) giovannelli@lafayette.edu. Thank you!

Brandon Cooke and Alessandro Giovannelli
Co-Chairs, American Society for Aesthetics Eastern Division Meeting