Aesthetics for Birds

Aesthetics and Philosophy of Art for Everyone

November 27, 2017
by Aesthetics for Birds
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The ASA at 75: ‘Splaining and Safaris

What follows is a guest post by Paul C. Taylor (Penn State). [Updated:] This is the second of three companion pieces that reflect on the ASA’s 75th anniversary. Click here for the first, by A.W. Eaton, and the third, by Charles Peterson. See also the ASA Officers’ response letter here. By the time my father turned 75, he was freely exercising the wide-ranging license to offend that family elders often enjoy. He could say or do pretty much anything, and we would chalk it up to him being set in his ways. We would weigh the costs and benefits of contesting his frequently insensitive and sometimes just rude behavior, or of reminding him of all the considerations that militate against talking about women or Jews or whatever like that anymore. And we would usually decide that discretion was the better part of valour, and we would let him alone. So on he … Continue reading

November 27, 2017
by Aesthetics for Birds
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The ASA at 75: How Are We Doing with Diversity and Inclusion?

What follows is a guest post by A.W. Eaton (University of Illinois-Chicago). [Updated:] This is the first of three companion pieces that reflect on the ASA’s 75th anniversary. Click here for the second, by Paul C. Taylor, and the third, by Charles Peterson. See also the ASA Officers’ response letter here. The 75th anniversary of the American Society of Aesthetics is an opportunity to reflect upon both our progress regarding inclusion and diversity and also upon the remaining work to be done. I discuss them here in turn.

October 12, 2017
by Aesthetics for Birds
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Rube Goldbergism, the Geodesic Mindset, and Instrumental Rationality

What follows is a guest post by Elijah Millgram. You can be effective but ridiculous, or effective but a very special sort of unbelievable. And that tells us that some of the most basic distinctions in the domain of practical rationality—that is, of the reasons we invoke when we decide what to do—are matters of aesthetic judgment. Most of us have seen various of Rube Goldberg’s once very popular drawings; here’s one of a “self-operating napkin” that involves a soup ladle, a parrot, a rocket, and a pendulum, among other components. And if you look around on the web, you’ll find one after another video homage to his work; this tribute, a construction that turns a page of your newspaper for you, deploys lit fuses, billiard balls, a vase, a smashed laptop, and an animal that I’m guessing is a hamster. Now, it was naturally the comics page on which, … Continue reading

September 28, 2017
by Aesthetics for Birds
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Site-specific Art: Robert Smithson, Ooldouz Alaei Novin, and the Marble House Project

What follows is a guest post by Shannon M. Mussett (Utah Valley University). I am an academic philosopher. This means that my contact with my peers consists mainly in electronic communication, or, a few times a year (if I am lucky) a conference—varying in length from a day to a week. If I am very lucky, there may be an occasional workshop peppered here and there throughout the course of a decade. Academic philosophy conferences consist largely of sitting in ill-lit rooms, on uncomfortable chairs, listening to someone either read a paper at you, or click through power point slides where the gist of the paper is presented to you. (Christy Wampole’s Conference Manifesto pretty much nails it). Afterwards, questions and dialogue follow—which can be more or less lively—depending on many factors, most of which boil down to how much coffee is available and whether or not people are in … Continue reading

May 16, 2017
by Aesthetics for Birds
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Differences: Remembering Peter Kivy

What Follows is a guest post by Aaron Meskin (University of Leeds) Peter Kivy, Emeritus Professor of Philosophy at Rutgers University and an incredibly influential contemporary philosopher of art, passed away last week. See other announcements here, along with a statement from the Rutgers Philosophy Department. What follows is a guest post by Aaron Meskin, a former student of Peter Kivy’s. Please feel free to share any stories, comments, or reflections below.

May 13, 2017
by Anthony C.
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Pepe Is Dead! Long Live Pepe?

This is an update to an earlier story that follows new developments in the Pepe meme story: Pepe’s death! Faithful readers of this site will be familiar with the saga of the internet meme Pepe the Frog. (For those of you who missed it, my earlier post on Pepe and the nature and value of internet memes is here.) The latest update: Pepe’s death! But first, a bit of background:

April 18, 2017
by utahphilosoraptor
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Mary Beth Willard Revisits “Fearless Girl” Statue

What follows is a guest post by Mary Beth Willard (Weber State University) When I last wrote about Fearless Girl, I observed that the meaning of the little Bull-challenging statue will lie in its interaction with the public, who for the moment has claimed it as an icon of feminism, capturing the vivacity of little girls at that tender age where they still dare to dream. Fearless Girl reportedly now has a permit through 2018, and this has angered none other than the creator of Charging Bull, Arturo di Modica, who has asked for Fearless Girl to be relocated, because it’s making his Bull into a villain.

February 2, 2017
by Aesthetics for Birds
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Aesthetic Naivete

What follows is a guest post by Bence Nanay. Bence is Professor of Philosophy and BOF Research Professor at the University of Antwerp and Senior Research Associate at Peterhouse, University of Cambridge. He is the author of Between Perception and Action (Oxford University Press, 2013) and editor of Perceiving the World (Oxford University Press, 2010) and he just published a book on aesthetics, Aesthetics as Philosophy of Perception (Oxford University Press, 2016). His current project in aesthetics is about the role of mental imagery in our engagement with art, supported by a 2-million Euro ERC grant. You can follow him on twitter @BenceNanay. Aesthetic Naïveté Let’s start with some touchy-feely and somewhat embarrassing confessions about my youth.