AESTHETICS FOR BIRDS

Aesthetics and Philosophy of Art for Everyone


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“WE ARE EVERYTHING AND WE ARE NOTHING”: AN INTERVIEW WITH ACTOR AND FILMMAKER JULIE DEPLY

What follows is a guest post by Hans Maes (University of Kent) and Katrien Schaubroeck (University of Antwerp).

As part of Routledge’s Philosophers on Film series, Hans Maes and Katrien Schaubroeck are editing a volume on the so-called Before trilogy directed by Richard Linklater. The trilogy chronicles the love of Jesse (Ethan Hawke) and Celine (Julie Delpy) who first meet up in Before Sunrise (1995), later reconnect in Before Sunset (2004) and finally experience a fall-out in Before Midnight (2013). Not only do the individual films present storylines and dilemmas that invite philosophical discussion, but philosophical conversation itself is at the very heart of the films.

Julie Delpy, who co-wrote the trilogy and was twice nominated for an Academy Award (best adapted screenplay) for Before Sunset and Before Midnight, agreed to be interviewed for the book because, as she explains, she has a soft spot for philosophy. What follows is an excerpt from that interview. The full text will be included in the volume that is scheduled to appear in 2021 and that will contain contributions from Christopher Cowley (University College Dublin), Diane Jeske (University of Iowa), James MacDowell (University of Warwick), Hans Maes (University of Kent), Kalle Puolakka (University of Helsinki), Anna Christina Ribeiro (Texas Tech University), Katrien Schaubroeck (University of Antwerp), Marya Schechtman (University of Illinois), Michael Smith (Princeton University), and Murray Smith (University of Kent).

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WHAT CAN WE LEARN FROM ART? BY RAFE MCGREGOR

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‘Aesthetic’ is a vague and frustrating term with a profligate and confused history.  During the Enlightenment, the term was employed as a synonym for beauty, which was understood as taking many apparently unrelated forms, from the natural world to gardens to art to interior decorating and even mathematics. In the last two hundred years, it has frequently been conflated with the concept of the artistic. Consequently, philosophical aesthetics has been understood as sharing the same subject matter as art criticism. Both of these conceptions are too restrictive when it comes to the contemporary discipline. Continue reading