AESTHETICS FOR BIRDS

Aesthetics and Philosophy of Art for Everyone


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MORE THAN SKIN DEEP WITH FRANK BOARDMAN

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Frank Boardman interviewed by Roy Cook for AFB

Frank Boardman is is a visiting assistant professor at Worcester State University. Most of his work has been in philosophy, art and rhetoric. He has a completely unwarranted belief that he could also write about parenting, technology or basketball. Continue reading


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COLOR VISION AND ART

 

What are colors, really? If we see colors differently than bees do, does that mean that colors aren’t real? Should we take into account the fact that some painters are color blind?

Issues like this have occupied painters since at least the 20th century. Josef Albers wrote extensively about color theory and his paintings reflect that. Neil Harbisson, a British artist with a severe form of color blindness (achromatopsia, i.e., grayscale vision), thinks that being colorblind has made his art better, and now has implants that (debatably) allow him to hear color. And other stories like this abound. It’s even rumored that Van Gogh was color blind, though the Van Gogh museum disputes that.

A recent book, A Naive Realist Theory of Colour by Keith Allen, defends the existence of colors despite all of the worries we might have. In a blog post over at Oxford University Press, Allen writes:

One of the reasons why colours are philosophically interesting is that they provide an illustration of general problems that arise in thinking about the “manifest image” of the world, or the world as it appears to us as conscious subjects. It is not just colours that are under threat. Similar problems arise for aesthetic properties like beauty….

Those interested in the nitty gritty philosophy of color theory should check it out.

Image credit: Studies for Homage to the Square by Josef Albers, by Selena N.B.H. via Flickr


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ARTIST INTERVIEW: RACHEL HECKER

Visual Artist Rachel Hecker interviewed by Alex King for AFB

Rachel Hecker is a visual artist and an Associate Professor of painting at the University of Houston School of Art. Her conceptually based projects, from contemporary portraits of Jesus to levitating bottles of Xanax, have been included in numerous group and solo exhibitions in museums, galleries, and alternative spaces throughout the US. She’s received many awards, among them Art League Houston’s 2013 Texas Artist of the Year. Continue reading


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ARTIST INTERVIEW: RABKAR WANGCHUK

Painter Rabkar Wangchuk interviewed by Alex King for AFB, with help from Nic Bommarito

Rabkar Wangchuk is a Tibetan artist, thangka painter, and sculptor. Born and raised in the Tibetan exile community in India, he is currently based in Queens, New York. At the age of seven, he was admitted to the Gyudme Tantric Monastery in south India where he began twenty years of training in various types of Tibetan art. During those twenty years, he mastered and pursued perfection in woodcarving, butter sculptures and, sand mandala (for which he was awarded an appreciation certificate from the Gyudme Tantric University). He also served as the head of the art section of the Tibetan Institute of Performing Art (TIPA) in Dharamsala, India. His work has been exhibited in various venues throughout Europe, Asia, and the United States. Recently, he exhibited his unique arts at the Trace Foundation and Queens Museum in New York City. He will have work on display at Transcending Tibet, opening in New York, March 12–April 12, 2015 organized by the Trace Foundation.

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