AESTHETICS FOR BIRDS

Aesthetics and Philosophy of Art for Everyone


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WHAT FANDOMS CAN TEACH US ABOUT THE VALUE OF PLOT HOLES AND THE BADNESS OF BAD ARTISTS

What follows is a guest post by James HaroldProfessor of Philosophy at Mount Holyoke College. Parts of this blog post draw from his article “The Value of Fictional Worlds (or, Why The Lord of the Rings is Worth Reading).”

Critics and fans approach certain works (like The Lord of the Rings or Star Wars) very differently. The critics evaluate these works on their own merits, considered as art objects in their own right, while fans consider in terms of their contribution to a larger world of play and creative exploration. While philosophers, like art critics, have spent a lot of time thinking about artworks, they have spent relatively little time thinking about this playful, participatory world, the world that is the focus of fan culture. Continue reading


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BOTTOM RAIL ON TOP THIS TIME: BLACK PANTHER, BY CHARLES PETERSON

Bottom Rail On Top This Time:
Politics, Myth, Culture, and Afro-Fantacism
in Ryan Coogler’s Black Panther

I.

As Walter Mosley observes in his essay “Black to the Future,” the genre(s) of science fiction/fantasy neé Afro-futurism speak clearly to the dissatisfied through their power to imagine the first step in changing the world:

Black people have been cut off from their African ancestry by the scythe of slavery and from an American heritage by being excluded from history. For us, science fiction offers an alternative where that which deviates from the norm is the norm.

As such, African-descended people have long understood and utilized the power of narrative to generate the images and ideas that will spark the liberatory imaginings of the sufferers. Particularly in the realms of the fantastic have characters, scenarios, and worlds been constructed to expose the truths of the world as it is and reveal the possibilities of worlds that could be. The figures of Anansi, Brer Rabbit, Nanny of the Maroons (who, though a historical figure, has risen to mythic proportions), John Henry, Shine, and many other figures casting spells thru the genres of proverbs, folklore, folk tales, song, short story, novel, graphic literature and movies have served as prompts to address the spoken and unspoken realities of their respective times and communities.  The Ryan Coogler-directed addition to the Marvel Cinematic Universe, Black Panther steps momentously into this tradition. Continue reading