Aesthetics for Birds

Aesthetics and Philosophy of Art for Everyone

May 1, 2018
by Roy T Cook
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More Than Skin Deep with Eva Dadlez

Eva Dadlez interviewed by Roy Cook M. Dadlez is a professor of Philosophy at the University of Central Oklahoma. She received her Ph.D. from Syracuse University. She writes on issues at the intersection (often at the collision) of aesthetics, ethics, and epistemology. She has written two books on the preceding: What’s Hecuba to Him? Fictional Events and Actual Emotions (Penn State Press 1997) and Mirrors to One Another: Emotion and Value in Jane Austen and David Hume (Wiley-Blackwell 2009), as well as numerous journal articles and book chapters including “Art, Ink, and Expression: Philosophical Questions About Tattoos”, Philosophy Compass 10(11): 739 – 753. Her edited collection for Oxford University Press, Jane Austen’s Emma: Philosophical Perspectives is presently in production. Dadlez is also a feminist ethics dilettante and an occasional novelist. She has indulged in the composition of a mean-spirited academic satire (The Sleep of Reason) that lampoons higher education in … Continue reading

March 12, 2018
by Aesthetics for Birds
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What Can We Learn from Art?

What follows is a guest post by Rafe McGregor (Leeds Trinity University) ‘Aesthetic’ is a vague and frustrating term with a profligate and confused history.  During the Enlightenment, the term was employed as a synonym for beauty, which was understood as taking many apparently unrelated forms, from the natural world to gardens to art to interior decorating and even mathematics. In the last two hundred years, it has frequently been conflated with the concept of the artistic. Consequently, philosophical aesthetics has been understood as sharing the same subject matter as art criticism. Both of these conceptions are too restrictive when it comes to the contemporary discipline.

May 16, 2017
by Aesthetics for Birds
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Psych Study Proves Kant Right (and Wrong) About Beauty

There’s a discussion over at Daily Nous about a psychology study in which the authors: confirm Kant’s claim that only the pleasure associated with feeling beauty requires thought and disprove his claim that sensuous pleasures cannot be beautiful. So, they try to prove Kant right about beauty involving cognitive functions, but prove him wrong about sensuous pleasures. They also found in general that beautiful things yielded higher pleasure than purely sensual stimuli. Pleasure amplitude increases linearly with the feeling of beauty. (Well, it still reads better than Kant.) So here’s the basic methodology. Neither wishing to encumber our participants with philosophical baggage nor wishing to spoil the test by revealing our hypothesis, we left “beauty” undefined and simply asked the participant at the end of each trial: “During this trial, did you get the feeling of beauty from the object?” We used various stimuli: seeing a plain or beautiful image, sucking a candy, … Continue reading