There’s been some controversy recently over a sexual harassment accusation and the ASA’s response to it. It’s worth clearing up some of the misinformation that has spread, and giving a brief (fact-checked) summary of what happened and what continues to cause concern. Continue reading
The American Society for Aesthetics (ASA) have released a statement regarding the renewed interest and concern surrounding last year’s sexual harassment incident and their policies on discrimination, harassment, and respectful behavior. The text of their statement is reproduced below. Continue reading
Last November, AFB reported on an accusation of sexual harassment at the American Society for Aesthetics (ASA) Annual Meeting. Five days ago, AFB reported that the accused harasser was on the program for the upcoming ASA Annual Meeting, along with the accuser. Since then, a number of differing accounts have emerged regarding how the original accusation was lodged, largely via discussions on social media. In particular, some members of ASA leadership have stated that no official complaint was ever made by the accuser. The accuser has asked us to publish the following statement. Continue reading
Last November, we reported an accusation of sexual harassment at the American Society for Aesthetics (ASA) Annual Meeting. ASA member Anne Eaton wrote:
“One alleged case of sexual harassment by a senior man toward a junior woman. I say “alleged” because the case has not been (nor will it be) officially adjudicated, although it has been reported to ASA governance. I know the details of this case and find it 100% credible. In fact, I have myself in the past had trouble with the senior male philosopher in question.”
We also reported that, in response,
“…the ASA leadership took immediate and decisive action in response to the report of sexual harassment. In addition to sending a forceful message to the harasser, ASA leadership immediately set up a committee to develop an official policy on sexual harassment.”
The ASA has recently released new policies regarding discrimination (including best practices and how to process and handle accusations). However, it remains to be seen how and to what extent these policies will be implemented.
Quite worryingly, AFB has received reports from credible sources that the accused harasser is on the program for the upcoming ASA Annual Meeting in Toronto. We feel that it is the responsibility of this blog to make this information known. It is the responsibility of members and concerned parties to respond in whatever ways they deem appropriate.
This post provides all of the information that is currently available about where to formally study aesthetics and philosophy of art.
It also includes a request for help from those working on aesthetics and philosophy of art in universities in the English-speaking world. Kathleen Stock (Sussex) has created a document that aims to comprehensively catalog all faculty working in these areas. But we need your help to fill it in! Continue reading
The following is a guest post by Charles Peterson (Oberlin College).
This is one of three companion pieces that reflect on the ASA’s 75th anniversary. Click here for the first, by A.W. Eaton, and the second, by Paul C. Taylor. See also the ASA Officers’ response letter here.
The age of 75 can signify multiple indicators. At 75 years old, an ant would be ancient. At 75 years old a mountain would be considered infantile in its span and at 75 years old a human being, has lived to a ripe and healthy age. For an academic organization, 75 years is a perfect time to celebrate its longevity and take stock of its future. The American Society for Aesthetics is at this point in regards to the inclusion of diverse scholars and discourses in its proceedings. The ASA stands at the threshold where its present efforts to open up, encourage and support the presence of women and members from previously underrepresented backgrounds can either move forward, grow and expand or retreat into exclusivity and marginality. Continue reading
What follows is a guest post by Paul C. Taylor (Penn State).
[Updated:] This is the first of three companion pieces that reflect on the ASA’s 75th anniversary. Click here for the first, by A.W. Eaton, and the third, by Charles Peterson. See also the ASA Officers’ response letter here.
By the time my father turned 75, he was freely exercising the wide-ranging license to offend that family elders often enjoy. He could say or do pretty much anything, and we would chalk it up to him being set in his ways. We would weigh the costs and benefits of contesting his frequently insensitive and sometimes just rude behavior, or of reminding him of all the considerations that militate against talking about women or Jews or whatever like that anymore. And we would usually decide that discretion was the better part of valour, and we would let him alone.
So on he lumbered, cluelessly, sometimes willfully, out of step with evolving social mores. The good news is that he was mostly harmless, having tucked himself away into a quiet retirement where he neither had nor wanted influence or authority over anyone other than himself.
The American Society for Aesthetics (ASA), 75 years old this year, reminds me of my father. It has an at best uneven relationship to shifting social mores, especially as these bear on behaviours that should be as distant and grating to us as the world of Mad Men. And much as my father assumed he could say whatever he wanted and continue to enjoy the respect and love of his children, some members of the ASA seem to think the organization can both live in the 1950s and win the loyalty of people today. Continue reading
The following is a guest post by A.W. Eaton (University of Illinois-Chicago).
[Updated:] This is the first of three companion pieces that reflect on the ASA’s 75th anniversary. Click here for the second, by Paul C. Taylor, and the third, by Charles Peterson. See also the ASA Officers’ response letter here.
The 75th anniversary of the American Society of Aesthetics is an opportunity to reflect upon both our progress regarding inclusion and diversity and also upon the remaining work to be done. I discuss them here in turn. Continue reading
The American Philosophical Association and the American Society for Aesthetics are pleased to announce that Professor Kenneth Walden (Dartmouth College) has been selected as the winner of the inaugural Arthur Danto/American Society for Aesthetics Prize for his paper, “Art and Moral Revolution.”
The Danto/ASA Prize, in the amount of $1,000, is awarded to a member of the APA and the ASA for the best paper in the field of aesthetics, broadly understood. In addition, a symposium in honor of the recipient of the prize is held at the APA Eastern Division meeting, normally the next such meeting following the selection of the prize winner. This prize is in honor of the late Arthur Danto, a past president of the APA Eastern Division.
Walden is assistant professor of philosophy at Dartmouth College. His areas of expertise are ethics, epistemology, Kant, and aesthetics. He received his Ph.D. from MIT. Walden has published in the Journal of Aesthetics and Art Criticism, Philosophy and Phenomenological Research, Ethics, Philosophical Studies, and Oxford Studies in Metaethics, with two articles forthcoming at other journals.
The chair of the selection committee said, “Works of art can effect incremental tweaks to our moral concepts or patterns of moral response. Kenneth Walden’s “Art and Moral Revolution” contends that art sometimes goes further, transforming frameworks of moral thought. In the spirit of Arthur Danto, in whose memory this prize is given, Walden advances an ambitious and far-reaching argument through insightful redescriptions of Wagnerian opera and the provocative street performances of the Cynics.”