What follows is a guest post from Darren Hudson Hick (Texas Tech University).
A few weeks back, as my aesthetics undergrads were taking their final exam, I was sitting in the back of the room, reading Susan M. Bielstein’s 2006 book, Permissions, A Survival Guide: Blunt Talk about Art as Intellectual Property. It’s a book about the history, legality, and pragmatics of art permissions, and it’s a page-turner. Seriously: it’s easily one of the best books about copyright that I’ve read in years (and, by God, that’s saying a lot). Bielstein is the executive editor for art, architecture, classical studies and film at the University of Chicago Press, so she knows what she’s talking about, and she’s an enviably good writer. Accompanying each image in the book is a note about how much Bielstein paid to use the image, and to whom. On page 58 is a reproduction of Robert Rauschenberg’s famous 1953 work, Erased de Kooning Drawing, accompanied by the note: “Fees paid: copyright for the drawing to Rauschenberg/VAGA, $130; use to SFMoMA, $40.”
“Wait,” I probably said out loud, “what?” Continue reading