AESTHETICS FOR BIRDS

Aesthetics and Philosophy of Art for Everyone


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IN DEFENSE OF COUNTRY MUSIC, BY JOHN DYCK

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I used to hate country music. I would hear it at my grandparents’ house. I remember hearing my grandma sing along to those drawling voices and crunchy fiddles. My nine-year-old self cringed inside. The music was so gauche and uncultured. My grandparents grew up poor and uneducated, and I could hear it in their music. Continue reading


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PUNK ROCK PHILOSOPHY #2: NIHILISM OR ACTIVISM?

I began this series of posts here, setting up the issues and summarizing Jesse Prinz’s main points in his groundbreaking “The Aesthetics of Punk Rock”. Readers of that post will recall that Prinz identifies three characteristics of punk rock that he thinks are central to the genre:

  1. Irreverence
  2. Nihilism
  3. Amateurism

Readers of that post will also recall that I have nothing at this point to say about irreverence (of course, there likely is much to say about the exact sort of irreverence that is at work in punk rock, but I’m not going to do that today). Thus, we’ll move on to the second topic in the list: nihilism. Continue reading


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HIGH ART, LOW ART, AND THE STATUS OF AESTHETICS

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What follows is a guest post by Alex King (Buffalo).

It’s a sad truth that aesthetics isn’t taken particularly seriously in the contemporary philosophical scene. And I think Bence Nanay is right to suggest that this is in part due to the perceived elitism of aesthetics. In this post, I’ll argue that we can make progress on this front by discussing an issue of independent philosophical interest: the distinction between high and low art and between so-called “highbrow” and “lowbrow” audiences. The moral, basically, will be this: Quit being so judgy.
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