What follows is a guest post by Bence Nanay. Bence is Professor of Philosophy and BOF Research Professor at the University of Antwerp and Senior Research Associate at Peterhouse, University of Cambridge. He is the author of Between Perception and Action (Oxford University Press, 2013) and editor of Perceiving the World (Oxford University Press, 2010) and he just finished his book on aesthetics, Aesthetics as Philosophy of Perception (Oxford University Press, under contract), all very elitist, really. This picture shows him pretending to be down with the kids, but the truth is that he has no idea how to play drums (as you can probably tell from the picture)… Also, he looks about as dumb on this picture as Kelso from That 70s Show(to throw in a really elitist reference)… Let’s begin with a little quiz: Who are the characters depicted in these following three pictures: My conjecture is that even the sophisticated aesthetics-y audience of this … Continue reading →
February 7, 2014
by Aesthetics for Birds 2 Comments
What follows is an interview with Kyle Killen. Kyle is a film & television writer and producer. He is the creator and showrunner for the critically acclaimed Fox television series Lone Star, Awake (NBC), and Mind Games (ABC premiere Feb. 24th). He also wrote the screenplays both for the films The Beaver (2011), starring Mel Gibson and directed by Jodie Foster, and Scenic Route (2013), starring Josh Duhamel and Dan Fogler and directed by Kevin and Michael Goetz.
November 8, 2013
by Aesthetics for Birds 7 Comments
What follows is a guest post by Zee Perry. Zee is a Ph.D. candidate in her 5th year at NYU’s department of Philosophy. Zee sometimes says she likes the metaphysics of X for most Xs. She’s writing a dissertation about the metaphysics of physics, specifically the metaphysics of physical quantities, but she has a long standing professional and personal interest in the ontology of art. Her semi-professional website is here. What I’d like to do with this post is present some half-baked ideas I’ve been not-quite-working on and see if the ensuing discussion can’t help bake them a bit further. Consider what an artwork “puts before” its audience. Artworks, like paintings, present features, like an arrangement of colors, textures, brushstrokes, etc, to their audiences to be seen and appreciated. Sometimes these features are presented via that artwork’s instances, like how a performance ofBeethoven’s Eroica presents sounds (and perhaps sights), which an audience is meant to listen, evaluate and appreciate. Artworks as … Continue reading →