What follows is a guest post from K. E. Gover (Bennington College).
Monuments are inherently political in a way that other kinds of artworks are not. As the recent controversies surrounding the removal of civil war monuments has made painfully clear, monuments make a public statement about what citizens should value and remember. The Swiss-Icelandic artist Christoph Büchel has recently proposed that Trump designate as a “national monument” the eight border wall prototypes located along the US-Mexico border, claiming that they have “significant cultural value and are significant land art.” By petitioning that the wall prototypes be preserved indefinitely as a kind of memorial to bigotry, Büchel implicates anti-immigration Trump supporters and the liberal elite art establishment under the same proposal. Continue reading