AESTHETICS FOR BIRDS

Aesthetics and Philosophy of Art for Everyone


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THE PHILOSOPHICAL BEAUTY OF BLACK MIRROR

What follows is a guest post from Laura Di Summa, Assistant Professor of Philosophy at William Paterson University.

Black Mirror, the TV series created by enfant terrible Charlie Brooker, is often described as the quintessential embodiment of grim poststructuralist criticisms of the ideology. But this, I believe, is just one way of looking at it. One, if I may, that has little to do with how it actually looks. Continue reading


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NETFLIX AND WILL

Aesthetic weakness of will is usually thought of as an incongruity between one’s judgment about the quality of an artwork and one’s liking for it. If I think the Twilight movies are really bad but I can’t help but like them, that’s supposed to be aesthetic weakness of will. But is liking really a matter of the will? I might be able to take actions meant to diminish my liking for Twilight: carry around a picture of Bella and Edward and look at it every time I feel nauseous, tell everyone I meet that I like Twilight to give them the opportunity to shame me, or deliberately watch the movies more often than I want to so that I become sick of them. If I judge that I should take these actions but then fail to follow through on them, that sounds like weakness of the will. But the liking itself? I don’t think so. In any case, what if my all-things-considered judgment is that I should just go ahead and like whatever artworks I find myself liking, quality be damned? Surely subsequent incongruity between my judgments about a work’s quality and my liking for it would not constitute weakness of the will.

I want to suggest an alternative way of thinking about aesthetic weakness of the will: it’s basically the current business model of Netflix. Continue reading