What follows is a guest post by James B. Haile (University of Rhode Island). Critical responses to Marvel’s first black super hero movie have been quick, varied and numerous, ranging from the significance of an all-black cast for filmic representation (here and here), to the veneration of its depiction of strong, intelligent dark-skinned black women with natural hair as central and heroic characters (here and here), to the critique of the film for pursuing a cosmopolitan vision of “Africa” at the expense of both Africans themselves and for African Americans (here and here), to critiques of the film for promoting the ameliorative agenda of integrationist hopefulness of neo-liberalism dressed in “black excellence,” standing shoulder-to-shoulder with hegemonic power, eschewing pan-Africanist sentiments (here, here and here). And though on the surface these approaches appear diverse, they have, for the most part, a common or central focus that limits their analysis. That is, what unites these … Continue reading →
In a post for the Oxford University Press Blog titled “Cosplay is Meaningless”, G.R.F. Ferrari, a professor of Classics at Berkeley, argues that cosplay is just about perfecting the art of dress-up. He writes: Cosplayers … are not out to intimate something about themselves, or, for that matter, about anything else. As an occasional cosplayer myself, I have to say that I couldn’t disagree more with what Ferrari says. Cosplay is much more aesthetically, socially, and personally important than he gives it credit for.
February 20, 2018
by Aesthetics for Birds 1 Comment
What follows is a guest post by Charles Peterson (Oberlin College) I. As Walter Mosley observes in his essay “Black to the Future,” the genre(s) of science fiction/fantasy neé Afro-futurism speak clearly to the dissatisfied through their power to imagine the first step in changing the world: Black people have been cut off from their African ancestry by the scythe of slavery and from an American heritage by being excluded from history. For us, science fiction offers an alternative where that which deviates from the norm is the norm. As such, African-descended people have long understood and utilized the power of narrative to generate the images and ideas that will spark the liberatory imaginings of the sufferers. Particularly in the realms of the fantastic have characters, scenarios, and worlds been constructed to expose the truths of the world as it is and reveal the possibilities of worlds that could be. … Continue reading →