Aesthetics for Birds

Aesthetics and Philosophy of Art for Everyone

November 5, 2014
by Aesthetics for Birds
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The Socio-Aesthetics of Pink

What follows is a guest post by Elisabeth Camp. She teaches at Rutgers University, New Brunswick. Her research focuses on thoughts and utterances that don’t fit standard propositional models, including metaphor and sarcasm, slurs and insinuation. She also works on the varieties of imagination, the theory of concepts, non-human animal cognition, and maps. I’ve been spending a disproportionate amount of time in the past year musing about pink.  I have a daughter who just turned 2 and is quite vocal in her opinions. High among these is the general gloriousness of pink and the intrinsic goodness of things that happen to be colored pink: for instance, that strawberry ice cream is maximally delicious, in virtue of its color. Her passion for pink is, most obviously, a form of comeuppance being visited upon me by an irony-loving universe; but it also raises some puzzles at the intersection of aesthetics, semiotics, and … Continue reading

June 1, 2014
by Aesthetics for Birds
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The Twisted Femmes Fatales of Christopher Nolan

What follows is a guest post by Andrew Kania. Looking at the plots of Christopher Nolan’s films, you might worry about his attitude towards women. At the end of his first feature-length film, Following (1998), the only female character (“The [unnamed] Blonde”) is murdered with a hammer by her gangster boyfriend. In Nolan’s first mainstream movie, the revenge thriller Memento (2001), Leonard is on a quest to avenge his wife’s rape and murder, though it may be that Leonard himself has inadvertently killed her with an insulin overdose, the fate of another female character in the film (unless these women are one and the same – it’s complicated). The rivalry of the magicians in The Prestige (2006) begins when one kills the other’s wife by (again, inadvertently) tying a trick knot incorrectly. The wife of the first at least gets to exercise her agency in her own death – she hangs herself to escape a (semi-)loveless … Continue reading

March 7, 2014
by Aesthetics for Birds
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The Philosophy of Facial Hair

What follows is a guest post by Henry Pratt. Sometimes, when asked what I work on, I’ve been known to reply, “Philosophy of the mustache.” In the past, this has always been a lie. This site seems like an appropriate venue for correcting the problem and mitigating my guilt, particularly because of esteemed Professor Mag Uidhir’s own fondness for sporting a mustache most appropriate to the genre of seedy 1970’s biker films. Though ridiculous, the philosophy of facial hair is actually a pretty interesting topic, one that raises a number of issues in aesthetics and ethics and the intersection of the two.

July 6, 2013
by Aesthetics for Birds
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Towards a Gender-balanced Philosophy of Art Syllabus

by Christy Mag Uidhir ***UPDATED 07/31/13. I encourage readers to continue to send suggestions.***[minor update by Alex King in 2020] Lamarque & Olsen’s Aesthetics & The Philosophy of Art: The Analytic Tradition is arguably the best general anthology in Contemporary Anglo-American Aesthetics. Unfortunately, this anthology distinguishes itself yet another way by having only 2 of its 46 articles written by women (in fact, the very same woman as it turns out). A friend of mine teaching philosophy of art for the first time recently discovered this and asked me to suggest some articles written by women with which to supplement the anthology. I’ve copied the list I sent him below so that it might be a useful resource for others in similar situations. I welcome and actively encourage readers to suggest additions in the comments section at which point I’ll update the list accordingly. However, please note that my interest … Continue reading