What are colors, really? If we see colors differently than bees do, does that mean that colors aren’t real? Should we take into account the fact that some painters are color blind? Issues like this have occupied painters since at least the 20th century. Josef Albers wrote extensively about color theory and his paintings reflect that. Neil Harbisson, a British artist with a severe form of color blindness (achromatopsia, i.e., grayscale vision), thinks that being colorblind has made his art better, and now has implants that (debatably) allow him to hear color. And other stories like this abound. It’s even rumored that Van Gogh was color blind, though the Van Gogh museum disputes that. A recent book, A Naive Realist Theory of Colour by Keith Allen, defends the existence of colors despite all of the worries we might have. In a blog post over at Oxford University Press, Allen writes: One of … Continue reading →
In September this year, French-Luxembourgian performance artist Deborah De Robertis exposed her vagina in front of the Mona Lisa at the Louvre. A few days ago, she was acquitted of charges of sexual exhibitionism by Paris’s High Court. Why? Because (a) her intent was not sexual in nature, and (b) the “material element of the crime” was missing (= you couldn’t *see* her genitalia because pubic hair obscured it). (Yes, you may giggle now.)
Comic artist Zach Weinersmith of Saturday Morning Breakfast Cereal talks about art: And the aftercomic, for those of you interested in questions about representation and depiction: And the referenced work, for your viewing pleasure, which has hilariously become Cesena’s profile pic on his Wikipedia page: According to Wikipedia: “It was widely said that when Cesena complained to the Pope, the pontiff joked that his jurisdiction did not extend to hell and the portrait would have to remain.”
There’s a post over at the general interest philosophy blog Daily Nous that might be of interest to our readers. Susanna Berger, assistant professor of art history at the University of Southern California, has posted an excerpt adapted from her book, The Art of Philosophy: Visual Thinking in Europe from the Late Renaissance to the Early Enlightenment (Princeton University Press, 2017). From Berger: I show how their inventive iconography inspired new visualizations of thought in a range of drawn and printed sources, including student lecture notebooks, printed books, and alba amicorum (friendship albums). The book culminates with a new study of the celebrated frontispiece to Hobbes’s Leviathan. I argue that previous accounts of the print have failed to capture the full complexity of this etching and offer a new, if complex, account of this famous image—one which emphasizes the process of the state’s generation. Artists and philosophers invested significant amounts of … Continue reading →
The American Society for Aesthetics Board of Trustees has approved a grant of $3,990 for a conference on “The Philosophy of Portraits” at the University of Maryland, April 7-8, 2018. The conference has been organized by Hans Maes, Senior Lecturer in History and Philosophy of Art and Director of the Aesthetics Research Centre at the University of Kent, and Jerrold Levinson, Distinguished Professor of Philosophy at the University of Maryland. Confirmed keynote speakers include A.W. Eaton, Cynthia Freeland, and Jenefer Robinson. A call for additional papers for the conference will be announced shortly. ASA is funding two travel grants for ASA student members of $500 each for papers selected for the program. The conference registration fee of $35 will be waived for all ASA members attending the conference.
February 21, 2017
by Aesthetics for Birds 2 Comments
I’m going to go ahead and say Saatchi isn’t really that cutting edge on this one. People have been doing self-portraits for a long-ass time. Maybe those don’t count as “selfies” though? In any event, the famous Saatchi Gallery will host a show this spring called “From Selfie to Self-Expression”. This is funded together with the enormous Chinese telecom company Huawei. (Hm, I wonder why they’d be interested in selfies.) Maybe most exciting is for those artistic sorts who read the blog: You can enter your own selfie for a chance to be shown at Saatchi! They’re currently holding a selfie competition (entry rules here), open until March 12, 2017. You have to submit images via their website interface. For whatever reason, you can’t just post an Instagram with the #SaatchiSelfie hashtag and be entered. Although they do want you to use that hashtag on Twitter, Instagram, etc. Or you can just scope out … Continue reading →
December 15, 2016
by Aesthetics for Birds 1 Comment
Philosopher and Photographer Scott Walden interviewed by Alex King Scott Walden’s research focuses on the intersection between the philosophies of art, mind and language, with an emphasis on photography. These philosophical interests inform his photographic practice, which has been recognized by multiple grants and the 2007 Duke and Duchess of York Prize in Photography from the Canada Council for the Arts. As Associate Professor at Nassau Community College he is a 2016 recipient of the State University of New York Chancellor’s Award for Excellence in Scholarship and Creative Activities. Walden divides his time between New York and Newfoundland.