Philosopher and Musician Annelies Monseré interviewed by Alex King Annelies Monseré is a post-doctoral researcher at Ghent University (Belgium) and a musician. Her philosophical work focuses on definitions of art. Her PhD thesis investigated the metaphilosophical assumptions underlying the project of defining art. Currently, she is working on the implementation of a normative approach to defining art, an approach she defended in her thesis. Annelies has been a recording and performing artist since 2000. Her music has often been described as minimal, dark and experimental. She has put out two LP’s and many EP’s. A third record is to be released soon. Moreover, she has collaborated with other musicians, most notably Jessica Bailiff, and she is currently playing her music with a band. For more, visit Annelies’ Bandcamp Page.
What follows is a guest post by Jesse Prinz. Jesse is Distinguished Professor of Philosophy at the City University of New York, Graduate Center. His research focuses on the perceptual, emotional, and cultural foundations of human psychology. He is the author of Furnishing the Mind: Concepts and Their Perceptual Basis (MIT 2002), Gut Reactions: A Perceptual Theory of Emotion (Oxford 2004), The Emotional Construction of Morals (Oxford 2007), The Conscious Brain (Oxford 2012), Beyond Human Nature (Penguin 2012), and most recently, the forthcoming Works of Wonder: The Psychology and Ontology of Art (Oxford). Jesse also co-founded (with NYC mixed-media artist Rachel Bernstein) the art blog Art Bouillon. It is an honor and a true pleasure to have Jesse kick off the Guest Blogger Schedule here at Aesthetics for Birds. Among the many divides one can find among competing theories of art, none sides wider and more ideologically entrenched than the … Continue reading →