What follows is a co-authored post by Brandon Polite and Matthew Strohl. It is the first piece in a two-part series. See part two here.
The ascendancy of the internet has generated a wide range of difficult new questions for philosophers of aesthetics. Our concern in this piece is the way the internet has reshaped aesthetic discourse and has made aesthetic disagreement far more immediate and pervasive. Social media allows users to broadcast their evaluations of artworks to hundreds or thousands of followers any time of day and, as a result, has ushered in the Golden Age of Everyone Having an Opinion. We are specifically concerned with the general tendency of the internet to promote hostility in aesthetic discourse. Rampant hostility has emerged in a wide variety of contexts, ranging from large-scale fan movements to remake a poorly received season of a widely loved television series or a controversial entry in a beloved film franchise, to casual Facebook threads about Greta Gerwig’s Little Women or HBO’s Watchmen series.Continue reading