Aesthetics for Birds

Aesthetics and Philosophy of Art for Everyone

May 8, 2018
by Aesthetics for Birds
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JAAC X AFB: Is Monday Night Football a Documentary?

What follows is a post in our ongoing collaborative series with the Journal of Aesthetics and Art Criticism. This is based on a new article by Henry Pratt, “Are You Ready for Some Football? A Monday Night Documentary?” When I lived in Wisconsin, I had a large, hairy housemate named Brian who watched a lot of hockey and football on TV. Sometimes he’d even do so shirtless to avoid stains from marinara sauce. It turns out that, unbeknownst to me at the time, he’d seen thousands of documentaries and was something of an expert on them. Wait—what? Quoth Gregory Currie, in his prominent article on the category: “game shows turn out to be documentaries about their participants, chat shows documentaries about the interviewer and interviewees, and sports programs documentaries about the activities of the athletes” (294).

April 2, 2018
by Aesthetics for Birds
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Hard Decisions of a Book Restorer

What follows is a guest post by Steven Hales (Bloomsburg University of Pennsylvania) My parents are antique dealers, and if there is one thing that I have learned from them, it is that people will collect anything: coins, stamps, Tiffany lamps, Victorian salt shakers, gasoline pumps, barbed wire, automobiles, rocks, fossils, Coca-Cola advertising, airline barf bags. I collect rare books. When I was in philosophy grad school at Brown I met Dan Knowlton, the university’s on-staff hand bookbinder, and wound up taking private bookbinding lessons from him for two years. I’ve been a serious hobbyist binder ever since. So I have first-hand knowledge of the kinds of interventions bookbinders do, and what they hope to achieve as a result. Here are a few thoughts about the types of value that collectors are interested in and how restorers (especially bookbinders) maximize or minimize those values.

March 22, 2018
by Matt Strohl
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Netflix and Will

[Editor’s note: This piece was updated in September 2021.] Aesthetic weakness of will is usually thought of as an incongruity between one’s judgment about the quality of an artwork and one’s liking for it. If I think the Twilight movies are bad but I can’t help but like them, that’s supposed to be aesthetic weakness of will. But is liking really a matter of the will? I might be able to take actions meant to diminish my liking for Twilight: carry around a picture of Bella and Edward and look at it every time I feel nauseous, tell everyone I meet that I like Twilight to give them the opportunity to shame me, or deliberately watch the movies more often than I want to so that I become sick of them. If I judge that I should take these actions but then fail to follow through because I love Twilight too much, that sounds like weakness of will. … Continue reading

February 27, 2018
by C. Thi Nguyen
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What’s Missing from Cookbook Reviews

Read enough cookbook reviews, and you’ll start to notice a curious gap. Cookbook reviews mostly focus on how the recipes turn out — how tasty the dishes are, or how authentic they are. Sometimes they’ll also talk about the quality of writing, or how much you learn about some region’s culinary history  or food science or the author’s childhood or whatever. But usually they leave out what it feels like to actually cook the goddamn things.

December 4, 2017
by utahphilosoraptor
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Modern Art: A CIA Plot?

Short answer: no, but a great clickbait title. Long answer: it’s possible that the CIA promoted abstract expressionism as an expression of soft power, meant to contrast the individualism of American artists with the realism of Soviet-approved art. Either way, I’m thinking that those philosophers of art who attempt to define art really err when they failed to include “sponsored by the CIA” as one of their criteria… Image credit: “Flag” (1955) by Jasper Johns at MoMA, photo by Nathan Laurell via Flickr

October 12, 2017
by Aesthetics for Birds
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Rube Goldbergism, the Geodesic Mindset, and Instrumental Rationality

What follows is a guest post by Elijah Millgram. You can be effective but ridiculous, or effective but a very special sort of unbelievable. And that tells us that some of the most basic distinctions in the domain of practical rationality—that is, of the reasons we invoke when we decide what to do—are matters of aesthetic judgment. Most of us have seen various of Rube Goldberg’s once very popular drawings; here’s one of a “self-operating napkin” that involves a soup ladle, a parrot, a rocket, and a pendulum, among other components. And if you look around on the web, you’ll find one after another video homage to his work; this tribute, a construction that turns a page of your newspaper for you, deploys lit fuses, billiard balls, a vase, a smashed laptop, and an animal that I’m guessing is a hamster. Now, it was naturally the comics page on which, … Continue reading