Philosopher: Phillip Barron, University of Connecticut
Artwork: Las Meninas (10′ x 9′, oil on canvas, Prado) is the title given to a 1656 painting by the Spanish artist Diego Velázquez. Its composition and complexity raise questions about reality and illusion, most significantly by the presence of a mirror on the far wall of the room.
Just as Descartes reduces thought to rationality,
Velázquez reduces painting to visuality.
— Jose Ortega y Gasset
Words: Sometimes on the metro, I catch myself in windows and see myself as another. Funny how sound is not the same as light. It never echoes transposed the way a mirror moves a scar from left to right.
The painting made me king or queen when peering in the canvas mirror. The nearer to the frame I stand, I am both here and there. Standing at Las Meninas, the self I saw on the train disappears.
After reflection, if I was what I saw, then saw is both the echo and mirror of was.
Image credit: Museo del Prado, via Wikimedia Commons